Perhaps for historical traumas no memorable music in the atmosphere of violent events. It almost sounded lightweight wonder what melody through an open window when the devices came Security strafing anything that moved in the address marking. Perhaps the musical curtain teve newscast, which showed the bodies purple product of some "clash of terrorists." Argentina
In the film "Garage Olimpo", torturers listen to Los Cinco Latinos massacring their victims to the tune of "You tell me, do not torment me, I know." The voice of Estela Raval pituda flowed through the sewers of the basement and passers-by standing on the roadside bars did not suspect that music nuevaolera operated as masks or distraction to disguise the tears of torture. In this film, the sinister "Tell me your" sounded continuously in a small radio that accompanied the work of the agents tiredness, relaxing on a break to take a mate humming "You tell me, do not torment me." The chorus of the song was chirping, while a doctor took the pulse of the stopped gasping bitter bile. Above, the street like that, the port city came and went in his continuing routine procedures: Mrs. buying fresh bread, the policeman directing traffic with his whistle, the students ran to catch the bus, some people were crowded in kiosk owners reading the journals of the show: "Julio Iglesias sings to America." Landscape seemed happy, a double-edged country with two faces, like a record that sounded happy on the one hand the "You tell me," and the back was interrupted by the screeching low volts electricity to the grid.
In the basement of the Chilean dictatorship, perhaps the music was similar, also interpreted by some new smell, but Alvaro Corbalan, one of the leaders of the organization of torture, was addicted to folklore and played guitar with singers protected regime. Among them, Tito Fernandez, a folk song close to the new Chilean Popular Unity, who was arrested with many others after the coup. And then some time in prison, released him and he never said what had happened in those dungeons. In contrast, appeared one day on television, in the program Don Francisco singing and throwing her to the big size like that. Tito Fernandez was a singer of domestic machismo, who never had an interesting musical production or compromised and passed censorship cast singing family tradition. This was a protagonist in the face of the dictatorship stellar show with his acclaimed lagrimero waltz. Never again was reminded of the Peña de Los Parra insurance where she met Victor Jara and gave him a job when he arrived in the capital remain unknown. During the dictatorship had his room, made friends guitar with Alvaro Corbalan, who was walking by the dressing rooms of the artists of the TV with every property. You may imagine that a night of nightmare time with Maria Pepa Zandunga Nieto, a English TV buxom warming the horror. "A Carlini, knew and tried many artists," Fernandez said in an interview recently, trying to justify his cronyism with this dark character. The truth was that everyone knew who was the friend of Fernandez. As not to identify one of the most notorious torturers regime, especially its role in television entertainment. In an act of left Fernandez I mess up like crazy, already in exile said it had to be careful with him. Even a few years ago, when justice underwent Corbalán process, was the singer of the new house and wine bigoted bringing him a pizza to his friend in prison. LND.Pedro Lemebel.
In the film "Garage Olimpo", torturers listen to Los Cinco Latinos massacring their victims to the tune of "You tell me, do not torment me, I know." The voice of Estela Raval pituda flowed through the sewers of the basement and passers-by standing on the roadside bars did not suspect that music nuevaolera operated as masks or distraction to disguise the tears of torture. In this film, the sinister "Tell me your" sounded continuously in a small radio that accompanied the work of the agents tiredness, relaxing on a break to take a mate humming "You tell me, do not torment me." The chorus of the song was chirping, while a doctor took the pulse of the stopped gasping bitter bile. Above, the street like that, the port city came and went in his continuing routine procedures: Mrs. buying fresh bread, the policeman directing traffic with his whistle, the students ran to catch the bus, some people were crowded in kiosk owners reading the journals of the show: "Julio Iglesias sings to America." Landscape seemed happy, a double-edged country with two faces, like a record that sounded happy on the one hand the "You tell me," and the back was interrupted by the screeching low volts electricity to the grid.
In the basement of the Chilean dictatorship, perhaps the music was similar, also interpreted by some new smell, but Alvaro Corbalan, one of the leaders of the organization of torture, was addicted to folklore and played guitar with singers protected regime. Among them, Tito Fernandez, a folk song close to the new Chilean Popular Unity, who was arrested with many others after the coup. And then some time in prison, released him and he never said what had happened in those dungeons. In contrast, appeared one day on television, in the program Don Francisco singing and throwing her to the big size like that. Tito Fernandez was a singer of domestic machismo, who never had an interesting musical production or compromised and passed censorship cast singing family tradition. This was a protagonist in the face of the dictatorship stellar show with his acclaimed lagrimero waltz. Never again was reminded of the Peña de Los Parra insurance where she met Victor Jara and gave him a job when he arrived in the capital remain unknown. During the dictatorship had his room, made friends guitar with Alvaro Corbalan, who was walking by the dressing rooms of the artists of the TV with every property. You may imagine that a night of nightmare time with Maria Pepa Zandunga Nieto, a English TV buxom warming the horror. "A Carlini, knew and tried many artists," Fernandez said in an interview recently, trying to justify his cronyism with this dark character. The truth was that everyone knew who was the friend of Fernandez. As not to identify one of the most notorious torturers regime, especially its role in television entertainment. In an act of left Fernandez I mess up like crazy, already in exile said it had to be careful with him. Even a few years ago, when justice underwent Corbalán process, was the singer of the new house and wine bigoted bringing him a pizza to his friend in prison. LND.Pedro Lemebel.
