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FOR MORE THAN EVER ....

Parada, Guerrero and Nattino
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The ceremony to mark the twentieth anniversary of the abduction and execution-style slaying of Jose Manuel Parada, Manuel Guerrero and Santiago Nattino realize that the passage of time has not erased the infamous track repressive dictatorship.
Twenty years later still shaking the brutality with which a repressive secret police service-the-Dicomcar, reporting directly to then-general director, Cesar Mendoza, ended their lives. The three were abducted in broad daylight, tortured, and their bodies dumped in public with the complicity night.
were to no avail then the multiple actions to achieve their release. Mendoza, even said with the lightness that characterized his public life, they were "communists." Then and now know that this argument was an insult to the dignity of the Chileans. Parada, Guerrero and Nattino Communists were militants, but that could never justify-less "explain", as argued in favor of Pinochet civilians-the inhuman way in which they were killed.
stop and Guerrero had just over 30 years and its activity was public. José Manuel Parada, son of the notable performers and Mary Maluenda Roberto Parada, was on duty in the Vicariate of Solidarity and Guerrero, who had just returned from his second exile, was a leader of teaching and teacher at the Latin American School in Providence, which access was breaded with stop on the morning of March 29, 1985. Nattino years ago had no active membership and working independently.
Judge Jose Canovas Robles was appointed minister to visit the Santiago Court of Appeals. Her courageous and meticulous investigation led only four months later in the fall of Mendoza ("is shelling the corn," said general) and the dismantling of the Dicomcar. The very CNI, successor of DINA, contributed to research, perhaps not continue to bear so much blood.
But there was no immediate justice. Shortly after leaving the police chief, the Board issued the call "law Mendoza," which allowed any public figure "invested with dignity" does not testify in court but the judge should appear in person at the address that fijase.
Only the return of democracy allowed substantial progress in the case. In 1994 Milton visiting minister who replaced Juica-Cánovas-handed six life sentences, the Supreme Court made it five, which were given to police officers and NCOs for the Dicomcar.
The monument at the spot where the bodies were found, reminiscent of Chileans that the struggle for truth in cases of violations of human rights, the realization of justice and reparation, as is humanly possible - are part of the ongoing tasks of our democracy ....

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Candidos DAY OF THE YOUNG COMBATANT

Candidos

Seeking .... Value about the birth of the song "lock" Inti Illimani Jose Seves Historic Meeting with the book "The Autumn of the Patriarch" of García Márquez was intercepted by several obstacles that prevented me from moving from the second page. First time I ran into a prose that contained a dislocated anxiety that seemed to travel without destination for unrelated issues, a messy tangle jumping from one thread to another with content and distant from the start. This fever, that dazed counting was determined by the total lack of punctuation. I stopped reading and left baffled repeatedly postponing the need to read Latin American literature was one of the bridges that should not break with the long exile. So go penalty cut like a kite on the roof of the world. Until suddenly, without knowing, I found the thread of the rapporteur, I began to feel the beat and have hit as if he raced the stories in the eager mouth, and place as a person who had lived long years of dictatorship, the same who had lived his father and even his grandfather and possibly it would die. I went into a temple where I share my plight at that time already added seven years of exile and weighed like two eternities. The book captivated me and drew me to your privacy for three years, in the midst of the avatar of the long tour of Inti Illimani record again and discover the real possibility of making songs and even make a musical with two central stories that were there. Indeed the first thing I feel conquest is clearly paragraphs that could function well as stanzas, often whimsical structures. Prose containing musicality, board accents, lameness of rhythm and that led me to read aloud and convince me that there was a verse to music, inviting. The rest of the theme or story that loomed was there but had to adapt to the structure found. So I selected about 20 possible to reduce issues to make songs. But then I added a selection of texts that had these two stories was that of Manuel Sanchez, Queen of Beauty of the District of dogfighting, a flower of the population that captures the heart of the dictator and showing you the raw truth that he would never know die of love and the story of that poor wretch who unfortunately seem infinite to have touched him the office of impostor. That was the story of his double: Patricio Aragones. It was for me a way to get closer to living the life of my compatriots who lived in Chile under the dictatorship and its policies of terror. In sleep he seemed to cross the border to penetrate underground in the areas crossed my neighborhood or in the forests of Valdivia. But then made up the enthusiasm to verify the news that told about the torments and cruelties committed by the Chilean Nazis, that reality to fantasy little girl left the great master. Naturally people under dictatorship are pending build fortresses of hope for a small sign, defense or condemnation and raise enthusiasm for the dictator excessive coughing, and was heard to say ... because I kept tripping him see the wonder of a small gap of freedom. That seemed a mirror of what I was experiencing. It happened also in the book again and again that the people would organize and opposed a stubborn resistance that seemed unstoppable, and then he managed to derail. Most disturbing was that the dictator then honed his sensitivity and managed to guess the intentions before they pose on the minds of the people who conspired for their freedom. In the repeated readings of this play I could tell that every time there was a loss of popular expectations that usually ended with a tragedy that struck many people with the greatest cruelty and where the people and their heads were decimated, the story then fell a series of adjectives trying to reach the depth of the drama but always found the words to be repeated proparoxytone and these were covering the content to make them bland, sarcastic, tragicomic leaving away the pain of what happened or less content ment. I also confirm several examples of songs that used to talk proparoxytone sad and even terrible situations but with the magic of this stress go for something more lightweight and trivial. Are examples in Joan Manuel Serrat and Chico Buarque in "Construction." The song was born after looking for a support in samba style of Brazilian music, but before long table we had the pace, Horacio Salinas and I, obsession and we were maturing as performers, the Peruvian lando. The orchestration of the prelude instrumental directed him putting Horacio Salinas a touch of cha-cha tune on the flute however is ternary rhythm. Eugenio Llona contributed to my text two ideas that tie the content of the chorus and called: "Release your rage, Candide, your old tenderly use it." The final solution came in handy: a quick celebration inviting to dance, the carnival despite all music as healing, and release as many parties happening in real life of our continent.

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A planet named Victor Jara

The September 22, 1973 in Crimea, astrophysicist Soviet Nikolai Stepanovich Chernykh discovers a new asteroid (or rather, a "minor planet") in our solar system. Between Mars and Jupiter. Initially named "1973 SO2" shortly after it was called "2644 Victor Jara" ...

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