Candidos
Seeking .... Value about the birth of the song "lock" Inti Illimani Jose Seves Historic Meeting with the book "The Autumn of the Patriarch" of García Márquez was intercepted by several obstacles that prevented me from moving from the second page. First time I ran into a prose that contained a dislocated anxiety that seemed to travel without destination for unrelated issues, a messy tangle jumping from one thread to another with content and distant from the start. This fever, that dazed counting was determined by the total lack of punctuation. I stopped reading and left baffled repeatedly postponing the need to read Latin American literature was one of the bridges that should not break with the long exile. So go penalty cut like a kite on the roof of the world. Until suddenly, without knowing, I found the thread of the rapporteur, I began to feel the beat and have hit as if he raced the stories in the eager mouth, and place as a person who had lived long years of dictatorship, the same who had lived his father and even his grandfather and possibly it would die. I went into a temple where I share my plight at that time already added seven years of exile and weighed like two eternities. The book captivated me and drew me to your privacy for three years, in the midst of the avatar of the long tour of Inti Illimani record again and discover the real possibility of making songs and even make a musical with two central stories that were there. Indeed the first thing I feel conquest is clearly paragraphs that could function well as stanzas, often whimsical structures. Prose containing musicality, board accents, lameness of rhythm and that led me to read aloud and convince me that there was a verse to music, inviting. The rest of the theme or story that loomed was there but had to adapt to the structure found. So I selected about 20 possible to reduce issues to make songs. But then I added a selection of texts that had these two stories was that of Manuel Sanchez, Queen of Beauty of the District of dogfighting, a flower of the population that captures the heart of the dictator and showing you the raw truth that he would never know die of love and the story of that poor wretch who unfortunately seem infinite to have touched him the office of impostor. That was the story of his double: Patricio Aragones. It was for me a way to get closer to living the life of my compatriots who lived in Chile under the dictatorship and its policies of terror. In sleep he seemed to cross the border to penetrate underground in the areas crossed my neighborhood or in the forests of Valdivia. But then made up the enthusiasm to verify the news that told about the torments and cruelties committed by the Chilean Nazis, that reality to fantasy little girl left the great master. Naturally people under dictatorship are pending build fortresses of hope for a small sign, defense or condemnation and raise enthusiasm for the dictator excessive coughing, and was heard to say ... because I kept tripping him see the wonder of a small gap of freedom. That seemed a mirror of what I was experiencing. It happened also in the book again and again that the people would organize and opposed a stubborn resistance that seemed unstoppable, and then he managed to derail. Most disturbing was that the dictator then honed his sensitivity and managed to guess the intentions before they pose on the minds of the people who conspired for their freedom. In the repeated readings of this play I could tell that every time there was a loss of popular expectations that usually ended with a tragedy that struck many people with the greatest cruelty and where the people and their heads were decimated, the story then fell a series of adjectives trying to reach the depth of the drama but always found the words to be repeated proparoxytone and these were covering the content to make them bland, sarcastic, tragicomic leaving away the pain of what happened or less content ment. I also confirm several examples of songs that used to talk proparoxytone sad and even terrible situations but with the magic of this stress go for something more lightweight and trivial. Are examples in Joan Manuel Serrat and Chico Buarque in "Construction." The song was born after looking for a support in samba style of Brazilian music, but before long table we had the pace, Horacio Salinas and I, obsession and we were maturing as performers, the Peruvian lando. The orchestration of the prelude instrumental directed him putting Horacio Salinas a touch of cha-cha tune on the flute however is ternary rhythm. Eugenio Llona contributed to my text two ideas that tie the content of the chorus and called: "Release your rage, Candide, your old tenderly use it." The final solution came in handy: a quick celebration inviting to dance, the carnival despite all music as healing, and release as many parties happening in real life of our continent.
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